Summer 2006 course offerings
Scroll down for a list of course offerings. Click on the course name
for course number, description, instructor, and fee information. Click here for a downloadable, printable registration form.
Degree Courses
Here you will find a selection of our college degree courses available
to the community during the summer term.
Minimester, May 15 – June 9
Minimester, May 15 – May 26
Minimester, May 30 – June 9
Full Session, June 12 – August 8 (8 weeks)
Session I, June 12 – July 7 (4 weeks)
Session II, July 10 – August 8 (4 weeks)
Course descriptions
Minimester, May 15 – June 9
Art in New York (class meets May
31 – June 4)
SOFA New York Tour: SOFA (Sculptural Objects and Functional Art)
is an international exposition featuring galleries from the United
States and abroad. The SOFA Tour class will visit the Expo, attend
seminars at SOFA and visit cultural institutions in NYC including,
the Museum of Modern Art, the Museum of Art and Design, and various
galleries. Writing assignments will consist of a daily journal and
a short two to three page paper discussing the work of a specific
artist. Pre-requisite for FA487 is FA387.
FA387.72 · 1.5
credits · C. Benzle · MTWRF
Arr. · $750*
FA487.72 · 1.5
credits · C. Benzle · MTWRF
Arr. · $750*
* An additional course
fee will also apply.
Fashion Design – Draping
The art and mechanics of draping fabric on a dress form to produce
desired designs. Students learn to drape and cut to produce pattern
pieces for construction. Both bias and straight-of-the grain draping
techniques are covered. Students complete projects in muslin, knit,
and a soft woven fabric. Pre-requisite: FD253 & FD254.
FD340.72 · 1.5 credits · C. Steele · TR
8:30 a.m. – 2:30
p.m. · $830
Fashion Design – Advanced Draping
The focus will be hands-on draping and design. Students will expand
on draping skills learned in Draping I through several complete garment
projects. Students will be challenged creatively to design and drape
from a defined “item” shape such as a parachute or an
umbrella top. Additional draping skills such as twists, various cowls,
jackets, pants, and other silhouettes will be discussed. Course will
combine draping design, problem solving, working within a budget,
team projects, and fabric selections while further developing draping
skills. Pre-requisite: FD340.
FD440.72 · 1.5 credits · C. Steele · MW
8:30 a.m. – 2:30
p.m. · $830
Landscape Photography (class meets
May 21 – June 2)
Landscape Photography will introduce students to a variety of issues
related to landscape image making using professional techniques and
tools through fieldwork and individual projects. Students will enhance
their technique and voice through active participation in this workshop
atmosphere while using the complexities photographers face when working
with landscape as a basis for creativity.
MS4151.72 · 3 credits · D. Snyder · Arr. ·
Arr. · $2600
Minimester, May 15 – May 26
Painting – Survey
A second-year painting class devoted to observational painting, working
primarily from the figure. Individual and group critiques will be
conducted throughout the course. Pre-requisite: FS113, FS114.
FA2134.72 · 3 credits · J. Kortlander · MTWRF
8 a.m. – 5
p.m. · $1515
Painting – Survey
Students will further develop oil painting skills through the exploration
of various techniques using still-life and figures as reference.
Individual artistic expression is fostered. Pre-requisite:FA2134 & FA2156.
FA3134.72 3 · credits · J. Kortlander · MTWRF
8 a.m. – 5
p.m. · $1515
Advanced Painting – Survey
Students will further develop oil painting skills through the exploration
of various techniques using still-life and figures as reference.
Individual artistic expression is fostered. Pre-requisite:FA3134,
FA3156.
FA4134.72 · 3 credits · J. Kortlander · MTWRF
8 a.m. – 5
p.m. · $1515
Printmaking Workshop
A valuable course for the novice to advanced printmaker. Students
will learn a full spectrum of mixed media techniques including basic
etching, three-dimensional printmaking, monotypes and reliefs, and
screen printing. Artists will begin with etching while learning to
combine the processes of etching with all other processes of printmaking.
The course is designed as an intense overview of process, concept,
and history.
FA2212.72 · 3 credits · C. Daniggelis · MTWRF
8 a.m. – 5 p.m. · $1500
FA3212.72 · 3credits · C. Daniggelis · MTWRF
8 a.m. – 5 p.m. · $1500
FA4212.72 · 3 credits · C. Daniggelis · MTWRF
8 a.m. – 5 p.m. · $1500
History of Documentary Cinema
A study of the documentary tradition in American and world cinema.
LA329.72 · 3 credits · R. Saks · MTWRF
8 a.m. – 12
p.m. · $1500
Minimester, May 30 – June 9
Web Design I
Students are introduced to the world of online communications through
commercial services and internet resources. Students will explore
tools and techniques to create their own pages for publishing on
the Web. Pre-requisite: FS136.
AD363.72 · 1.5 credits · D. Bennett · MTWRF
12 – 5
p.m. · $830
Structure and Analysis of Cinema
This course will examine film, video, and other time-based media
through the analysis of mechanical structures and the exploration
of media theory. It will look at the physical aspects of cinematic
construction as seen in camera and lighting techniques, editing styles,
soundtrack design, and location. The course will provide an introduction
to basic film theory by examining the concrete natures of time-based
media as well as more abstract aspects such as perception, interpretation,
and intention of image and content. These various structures and
aspects will be presented and illustrated through the analysis of
relevant films and videos. The narrative form will be the main focus,
but concerted attention will be given to documentary and experimental
forms. There will be a historical approach to film theory by looking
at its three basic periods with representative readings from these
phases.
LA229.72 · 3 credits · K. Petrochuk · MTWRF
8 a.m. – 12
p.m. · $1500
Full Session, June 12 – August 4 (8 weeks)
Advanced Typography
Students will study the letterform as an element of design and discuss
its potential as a means of communication beyond text. The class
is structured with increasingly complex design problems to realize
the capacity of typography to inform, emote, personalize, and visualize
thought. Pre-requisite: FS133.
AD2056.01 · 3 credits · R. Aschenbrand · TR
10 a.m. – 12:30
p.m. · $1500
Sculpture I
Students will develop skills of formal perception in the exploration
of three-dimensional form through this introduction to the basic
concepts, materials, and processes of sculpture.
FA2056.01 · 3 credits · P. Rasmussen · TR
3:30 – 9:30
p.m. · $1635
Sculpture
Students will explore form using various sources and the human figure
as a frame of reference while gaining experience in the process of
selection and elimination in the development of a work of art. All
media used. Pre-requisite: FA2056.
FA3056.01 · 3 credits · P. Rasmussen · TR
3:30 – 9:30
p.m. · $1635
Advanced Sculpture
Advanced sculptural problems, professional organization, approaches
to artwork in all media are addressed. Students will perform museum
research. Pre-requisite: FA3056.
FA4056.01 · 3 credits · P. Rasmussen · TR
3:30 – 9:30
p.m. · $1635
Ceramics I
Basic forming techniques of ceramics, including slab, coil, and throwing
are addressed. Glaze formulation, application, and introduction to
firing techniques are practiced.
FA2256.01 · 3 credits · K. Takada · MW
12:30 – 6:20
p.m. · $1635
Ceramics II
Students will discuss advanced forming techniques with an emphasis
on expanding vocabulary of forming. Glazing information, glaze formulation,
and kiln firing are addressed. Pre-requisite: FA2256.
FA3256.01 · 3 credits · K. Takada · MW
12:30 – 6:20
p.m. · $1635
Advanced Ceramics
Growth and development through advanced thought and technical strength
are practiced. Pre-requisite: FA3256, FA3256S,
FA3290.
FA4256.01 · 3 credits · K. Takada · MW
12:30 – 6:20
p.m. · $1635
Studio Thesis – Portfolio
This course was designed for all senior Fine Arts majors. Students
will complete a slide portfolio of their best work. Students then
complete a thesis explaining in detail the technical and aesthetic
problems involved in their work; faculty will review each student’s
final exhibition. Pre-requisite for FA471 is FA470.
FA470.01 · 3 credits · C. Griffith · W
8 a.m. – 3:20 p.m. · $1500
FA471.01 · 3 credits · C. Griffith · W
8 a.m. – 3:20 p.m. · $1500
Color Concept
Lectures discuss the application of color beyond theory. They deal
with the inseparable factors of hue, value, and chroma in order to
develop intellectual and visual sensitivity. Sequential homework
assignments follow from the lectures and move from simple monochromatic
problems to those more complex. Pre-requisite for FS110 is FS109.
FS109.01 · 1.5 credits · D. Burghy · MW
12:30 – 3:20 p.m. · $750
FS110.01 · 1.5 credits · D. Burghy · MW
12:30 – 3:20 p.m. · $750
Design X
Design-X is a valuable course for all students but is targeted to
those who need to make up a section of Design II or Design III & Advanced
Color in order to stay on course for graduation. Projects differ
from those taught in the regular design classes but will similarly
explore important art and design issues. Students will be able to
apply the design principles to other CCAD courses as well as professional
pursuits. Individual and group design projects will assist students
in discovering new methods of graphic expression and analysis. Pre-requisite
for FS303 is FS203 and permission of instructor.
FS203.01 · 1.5 credits · T. Rietenbach · TWR
12:30 – 3:20 p.m. · $750
FS303.01 · 1.5 credits · T. Rietenbach · TWR
12:30 – 3:20 p.m. · $750
Furniture Design
Principles surrounding the design of furniture, its fabrication and
finish are explored and result in the construction of a full-size
prototype. Projects vary each semester and exercise the proper design
methods important to generating the most appropriate solution for
the project presented. Each project offers a new set of design objectives
that develop and refine the skill and knowledge of furniture design
and fabrication.
ID307.01 · 1.5 credits · T. Kier · TWR
12:30 – 3:20
p.m. · $830
Writing & the Arts I
A writing course designed to meet the unique needs of art students
to express themselves, to analyze experience, art, and culture, and
to communicate effectively. Students begin with the search for a
subject and voice, and end facing the traditional obligations of
good prose: a precision and clarity of style reflecting coherent,
ordered thought.
LA190.01 · 3 credits · E. Lathy · MW
8:00 – 10:50
a.m. · $1500
Human Anatomy (e-learning)
Study of basic biological principles through anatomical and physiological
discussions of the human body. Laboratory work includes dissection
of sheep heart, eyes, and brain to further illustrate course material.
The gross and microscopic anatomy of body systems and the body’s
basic pathology will be discussed.
LA258.01 · 3 credits · J. Posey · online · Arr. · $1500
Integrated Design Workshop
This multidisciplinary workshop integrates professional information
in a team setting to develop a project from client request to product
delivery. In this hands-on workshop, professors from a variety of
disciplines will push students beyond quality design and challenge
them to consider ethical perspectives of products and designs and
the tremendous power that designers have to shape and influence the
world. Students will work in design teams to maximize the potential
of each team member and create the possible best work. Learn how
to obtain accurate information about the product and the market while
improving the ability to present designs and effectively communicate
with clients. Our team is looking for designers, illustrators, animators,
copy writers, and interactive designers to fill specific roles in
this unique summer workshop experience. Pre-requisite: Permission
of instructor.
LA397.01 · 3 credits · TBA · TWR
1 p.m. – 4 p.m. · $1500
Computer Animation I (Intro)
Students learn the basic components and principles of three-dimensional
computer animation design and production through a combination of
lecture, demonstration, and hands-on exercises culminating in a short
piece that employs appropriate design and animation principles. Students
are provided a perspective on the historical development of computer
animation as well as factors involved in its continuing evolution.
Students will gain exposure to a diverse range of computer animation
techniques and gain an understanding of the commercial and aesthetic
implications of those techniques. Pre-requisite: MS2334.
MS2356.01 · 3 credits · TBA · TR
12:30 – 6:20 p.m. · $1665
Computer Animation II
Computer Animation II expands in greater depth the concepts and practices
learned in Computer Animation I as well as earlier in Time Based
Media Design and Animation I through the development of a larger
project. Computer Animation II focuses on Story and Animatic Development;
the relationship of sound to story; and Model, Attribute and Lighting
Development based upon the designed motion.
MS3356.01 · 3 credits · C. Belland · MW
12:30 – 6:20
p.m. · $1665
Computer Animation III
Computer Animation III continues the in-depth learning process using
the project begun in Computer Animation II. Computer Animation III
focuses on Animating the Models, Attributes, Lights, Environments,
created in Computer Animation II; and Animating Cameras based upon
the revised Storyboard. Computer Animation III also reinforces the
relationships of sound to motion, and motion based upon motivation.
MS4356.01 · 3 credits · C. Belland · MW
12:30 – 6:20
p.m. · $1665
Computer Animation IV
Computer Animation IV completes the in-depth learning process. Computer
Animation IV focuses on Finishing the Animated project through incorporating
of Digital Batch Render Processes, Compositing Techniques (some newly
learned and some integrated from other advanced Time Based courses),
and ultimately Output at a quality and in a form for inclusion in
the student portfolio.
MS4456.01 · 3 credits · C. Belland · MW
12:30 – 6:20
p.m. · $1665
Video I
This fundamental video class introduces students to the basics of
video and time-based media production and aesthetics. The course
includes screenings of video works, in-class demonstrations of
equipment and techniques, discussions, assignments, and concerns
in the creation of images and soundtracks for video and other media.
Using digital video equipment and nonlinear editing, students will
produce works that pursue fine art, design, documentary, and experimental
directions. The class provides an understanding of time-based media
and issues for non-media artists in general, and is a solid foundation
for future video, film, and multi-media studies.
MS2312.01 · 3 credits · TBA · MW
12:30 – 6:20
p.m. · $1635
Video II
Building on the foundation of skills learned in Video I, students
will continue to use digital video tools to produce fine art and
design video works. Presentation of video works, readings, discussions,
quizzes, and critiques focus on aesthetic and theoretical aspects
of video and art. Assignments deal with documentary, interview, camera
work and design, installation/performance, experimental video, and
open projects. An important part of the class is the creation of
a class video project to demonstrate the basics of advance planning,
scripting, shooting, direction, editing, and needed equipment for
larger crew shooting on location and in studio projection. Pre-requisite: MS2312.
MS3312.01 · 3 credits · TBA · MW
12:30 – 6:20 p.m. · $1635
Video III
This advanced class focuses on the conception, production, and presentation
of complete video works by students who have taken all prerequisite
video and other media classes. Students are expected to create three
to four videos using the full range of tools and skills available
to them from previous experience. In-class presentations and critiques
play a strong role as class members develop, produce, and screen
their works during various stages of their creation. Works are open
to all categories, including documentary, narrative, commercial design,
experimental, and other personal directions. Pre-requisite: MS3312.
MS3192.01 · 3 credits · TBA · MW
12:30 – 6:20 p.m. · $1635
Session I, June 12 – July 7
(4 weeks)
Painting Survey
A second-year painting class devoted to observational painting, working
primarily from the figure. Individual and group critiques will be
conducted throughout the course. Pre-requisite:
FS113 & FS114.
FA2134.01 · 3 credits · G. Lee · MTWRF
8 a.m. – 12 p.m. · $1500
Painting Survey
Students will further develop oil painting skills through the exploration
of various techniques using still-life and figures as reference.
Individual artistic expression is fostered. Pre-requisite: FA2134,
FA2156.
FA3134.01 · 3 credits · G. Lee · MTWRF
8 a.m. – 12 p.m. · $1500
Advanced Painting Survey
Advanced students will explore personal expression through painting
and develop and clarify artistic intentions through critiques and
mentoring. Pre-requisite: FA3134, FA3156.
FA4134.01 · 3 credits · G. Lee · MTWRF
8 a.m. – 12 p.m. · $1500
Fashion Design – Tailoring
Students cover the specialized methods used in the tailoring of fine
suits, including the use of linings, underlings, pad stitching, and
felt under-collars. Each student will construct one tailored garment.
Extensive coverage of interfacings and fabrics will also be covered. Pre-requisite: FD255 & FD256.
FD356.01 · 1.5 credits · R. Hurley · TR
8:30 a.m. – 2:30 p.m. · $830
Writing and the Arts I
A writing course designed to meet the unique needs of art students
to express themselves, to analyze experience, art, and culture, and
to communicate effectively. Students begin with the search for a
subject and voice, and end facing the traditional obligations of
good prose: a precision and clarity of style reflecting coherent,
ordered thought.
LA190.01 · 3 credits · TBA · TWR
8:00 – 11:50 a.m. · $1500
Writing and the Arts II
A writing course designed to prepare future artists to write, do
research, and think critically while reinforcing and extending the
principles of effective writing developed in Writing and the Arts
I. Students will examine selected readings, art, and film, culminating
in writing a formal, researched paper. Emphasis will be placed on
becoming a perceptive reader and critical writer who deals with ideas
and personal experiences in a more objective manner. This course
also prepares students to take the Sophomore English Examination. Pre-requisite: LA190.
LA290.01 · 3 credits · TBA · TWR
8:00 – 11:50
a.m. · $1500
Writing Workshop
Art students who have not passed the Sophomore English Exam after
two attempts are advised to enroll in this workshop. Basic essay
skills will be reviewed along with each student’s language
problems. Pre-requisite: LA290.
LA291.01 · 3 credits · TBA · TWR
8 – 11:50 a.m. · $1500
Photo-Digital
This course deals with the basic technical and aesthetic issues of
photographic technologies. Students are introduced to the fundamentals
of camera vision and creative photographic problem solving through
the use of digital cameras. Students are expected to understand the
basic principles of black-and-white photography and are encouraged
to use these techniques to explore and expand the range of their
own personal vision. Through lecture, lab, and private and group
critiques, students learn how to use photographic media as powerful
communication and artistic tools. The goal is to produce technically
skilled and visually sensitive photographic artists.
MS2012.01 · 3 credits · TBA · MTWR
12:30 – 6:20
p.m. · $1635
Session II, July 10 – August
8 (4 weeks)
Figure Drawing
Students will gain an understanding of the figure and its expressiveness
through the development of confidence, personal freedom, expression,
and sound drawing skills. Pre-requisite:FS127 & FS128.
FA2012.01 · 3 credits · J. Clary · MTWRF
8 a.m. – 12 p.m. · $1515
Figure Drawing
The structure of the human figure will be addressed through exercises
on the function of the figure in action and repose. Emphasis will
also be placed on composition with figures as memory exercises. Pre-requisite:
FA2012, FA2034.
FA3012.01 · 3 credits · J. Clary · MTWRF
8 a.m. – 12 p.m. · $1515
Figure Drawing
Advanced drawing problems explored include the emphasis of figurative
involvement. Individual solutions to problems of content and form
are stressed through the use of a variety of media. Pre-requisite:
FA3012, FA3034.
FA4012.01 · 3 credits · J. Clary · MTWRF
8 a.m. – 12 p.m. · $1515
Printmaking – Silkscreen
Students will gain a basic but thorough knowledge of specific silkscreen
techniques. Disciplines include maskoid, glue, tusche, and photographic
stencils. Foundation processes are used to complement quality, expression,
and sound results.
FA221S.01 · 1.5 credits · K. McGhee · MWF
8 a.m. – 12
p.m. · $855
Printmaking – Silkscreen
This is an intermediate silkscreen course that continues the development
of screen printing principles and personal imagery. Individual and
group critiques are included.
FA321S.01 · 1.5 credits · K. McGhee · MWF
8 a.m. – 12
p.m. · $855
Advanced Printmaking – Silkscreen
This advanced silkscreen course was designed to allow students maximum
freedom on an individual basis. Advanced techniques will be introduced
and individual development encouraged. Emphasis will be placed on
professional presentation; a workshop attitude is extended through
faculty critiques. Pre-requisite: FA321S, FA322S.
FA421S.01 · 1.5 credits · K. McGhee · MWF
8 a.m. – 12
p.m. · $855
Contemporary Issues:
The Tao of Design
Students will explore and bring to fruition the concepts presented
and discussed in class based on the book “The Tao of Design”.
Students will discuss, debate and entertain its principles via the
medium of their choice. The course is open to all majors with a junior
standing.
ID350.01 · 1.5 credits · C. Garant · TWR
12 – 4
p.m. · $750
Late Modern Art
Students will study the visual arts from c. 1950 to the advent of
Postmodernism, including intellectual, aesthetic, social, and political
influences on the art of the mid and late 20th century. Pre-requisite:
LA130 & LA132.
LA336.01 · 3 credits · S. Myers · TWR
12:30 – 4:20
p.m. · $1500
Readings American Literature
This course is a critical study of selected readings from the history
of American literature. Pre-requisite: LA290.
LA390.01 · 3 credits · E. Lathy · TWR
12:30 – 4:20
p.m. · $1500
Writing Poetry
Students are introduced to writing imaginative literature with an
emphasis on poetry. Student writing is related to professional models
and assigned collateral reading. Pre-requisite: LA290.
LA490B.01 · 3 credits · TBA · TWR
8 – 11:50
a.m. · $1500
